Check out this wonderful wrap-up video of the 2011 IndyFringe festival. There's a decent chance that if you attended, or performed at, the festival then you may have a cameo in the background somewhere.
Showing posts with label IndyFringe. Show all posts
Showing posts with label IndyFringe. Show all posts
Fundraiser Event: Encore Performance of 'School House Wrong'
If you missed it the first time (or even if you didn't) be sure to book your tickets asap by calling the IndyFringe box office at 317 522 8099 or by emailing Pauline at pmoffat39@aol.com.
Talk About 'School House Wrong'
During its 10-day run at IndyFringe 2011, School House Wrong received widespread praise from many who saw it. Below are just some of the things people said about it:
"This show is not to be missed. High-energy, fun, and irreverent! Special shout out to Claire Wilcher for her strong vocals and impeccable timing." - Emily.
"What a wonderful show! Funny, great singing, entertaining choreography. You should see it before it's over!!" - Anonymous.
"Husband just called saying this is a GREAT show. Can't wait for him and the boy to get home with the DVD!" - Jami G.
See it this Friday from 7:30pm (doors open 7:00pm) at the IndyFringe Building. Tickets $20 (fundraiser for the IndyFringe Building).
Talk to us some more by liking the IndyFringeTalk Facebook page.
Win 2 Free Tickets to See 'Busking the System' this Sunday
In order to enter the prize-draw, simply email me (laurencebrown1981@gmail.com) the answer to the following question:
Question: What is the name of Busking The System's director? (Clue: click on the Busking the System link at the beginning of this post).
The competition ends at midnight on Friday, August 27. The winner of the prize draw will win 2 complimentary tickets to our 6pm Sunday showing.
Best of luck.
1-Minute Interview with Director and Producer of the Film Busking the System, Justin Morales
Playing this weekend at Indiana Landmarks Center, a new documentary called Busking the System gets four showings as part of the IndyFringe festival. Below is IndyFringeTalk's 1-minute interview the film's director and producer, Justin Morales.
What was the inspiration behind the film?
I lived in the Bronx and used to take the train into Manhattan for work.I was riding the 5 train when an older blind gentleman guided himself ontothe train with a violin bow. He propped himself up against a pole in the
middle of the car and began to play a fantastic classical melody. When he
was done he found his way off the train never seeing the people he played
for nor did he even ask for change. This incident inspired me to research
the musicians under the ground in NYC.
What drew you toward the subject of busking and street performing?
What were some of the challenges in producing the documentary?
conniving them to let us film them. The hours you have to record just to
get "good stuff". Finding the narrative... and so much more.
What can people learn from the documentary?
besides American idol and the music that is force fed into our society. They can also learn that there is talent and culture right in your own backyard.
Order tickets for this film here.
When I was in High School... - Mary Hamilton, Around The World with Cinderella
In high school I was not involved in the performing arts. The small public school I attended for eleven years had no performing arts programs of any kind. Sports? yes, but no visual or performing arts. My senior year, my school closed, so I began attending a larger school. It did not offer a drama class (band, visual arts, and chorus - yes, but not other performing arts), but did produce a junior and senior play. I had never ever imagined myself performing in any capacity, so I volunteered to help out with make-up for both productions.
1. How did you become involved in the performing arts?
Many years later, I was a children's librarian, and storytelling was an expected part of my job. It soon became the part of my job I loved best, so back in 1983 when budget cuts in the city where I worked resulted in my being laid off from the job, I decided to use my savings to work toward supporting myself through storytelling. Storytelling and teaching others about the art of storytelling (and the very different art of reading aloud -- I emphasize the difference because sometimes people assume the two arts are the same -- they are not!) has been the source of my livelihood ever since.
By the way, if your opportunities for seeing performing arts are limited, don't despair. By the time I graduated high school, I had seen exactly five live theatre productions. 1) a play I faintly remember going to see in grade school, put on by high school students. I recall a boy wearing a dress pretending to be a girl, and that's all I remember, 2) a traveling troupe of actors presenting Romeo and Juliet, 3) my aunt who went to a boarding school her freshman year of high school in a production at her boarding school, 4) the junior class play when I was a senior, and 5) the senior class play when I was a senior. That's it -- my experiences were very, very limited. So, don't let limitations stop or lack of opportunities become a permanent stopping place.
2. What is the most interesting part you've ever played? Why?
Hmm, well, I don't play parts, since I'm a storyteller. So, I've only been in one play in my whole life. If I remember correctly, the title was "Loose Ends" and I played the conservative friend of the main female character (and I can't recall their names?). Instead of playing parts, I tell stories. So, that means that most of the time on stage, I am myself, telling my audience stories (not a character who tells stories).
The only exception is a one-woman show, "Children of Richard, Rhoda, and God" in which three characters tell the story -- myself at age 17, my boyfriend Bill at age 17, and myself now. All three of those characters tell stories, which mean all three of them sometimes quickly show the audience glimpses of the other characters they talk about (whenever those other characters speak, for example, they briefly become them when they are talking).
3. What advice would you give to young people who are interested in getting involved in the performing arts?
Go for it -- look for opportunities to become involved. If you have no money, watch for free opportunities to see someone perform. Make your own decisions about what you like and don't like, and yet, when someone likes a performance you did not care for, ask them what they liked about it -- not in a challenging their opinion way, but in a satisfying your curiosity way. Finding out how and why others have opinions that differ from yours will prove a helpful performance skill as well as a useful life skill.
4. How can teens become ambassadors for the performing arts during the school year?
Show up! Go watch performers of all kinds. Thank people for their performances, and if you are performing, please remember to thank your audience for their support. When you've enjoyed a production, be sure to tell others about it so more people can have the opportunity to see it.
If you are low on funds, find out if there is any volunteer job you could do to earn a ticket to a performance you'd like to see. It never hurts to ask; you may hear "no" but you'll never hear "yes" if you don't ask. And if you do volunteer, take that volunteer job as seriously as any job you would be paid to do (because you really are being paid by the performance).
Write reviews of performances for your school newspaper, and /or write letters to the editor of your local newspaper about performance opportunities you know of that you believe others would be interested in. There's no need to be snarky; just describe the performance and tell what you liked about it, or if it was lacking what you wish had happened to improve it.
Also, if you are not finding like-minded teens at your school, check with you local public library. Many public libraries have teen programs, and this may help you locate others teens who share your interests. They are out there, but if you attend a school where sports is truly the only game going, it may take more time to find those like-minded souls. Do not give up.
5. Where can teens find a community of other performing artists around the city?
I am guessing this questions refers to Indianapolis. I live in Frankfort, KY so I would have ideas about this for teens in my town, but I don't know what to suggest here, except inquiring at public library Young Adult Departments, which I've already mentioned above.
Talking with Ty Stover - 'Slammed'
During the build-up to the 2011 IndyFringe Festival, IndyFringeTalk interviewed some of the key performers to get insight into their stories, their audience and the Fringe itself. Here is what happened when we sat down with SLAMMED's Ty Stover.
If you could present your show to just one person, who would it be and why?
The person who is reading this right now… you deserve to see these amazing performances and hear the words of a singularly gifted young poet and playwright, Sharla Steiman.
List 3 words that truly sum up your show.
Love, Loss, and Lesbians
The person who is reading this right now… you deserve to see these amazing performances and hear the words of a singularly gifted young poet and playwright, Sharla Steiman.
List 3 words that truly sum up your show.
Love, Loss, and Lesbians
What is the best way for theater-goers to stay informed about your latest productions? There is a new facebook page. There will also be a rework of the old website down the pike. Folks are seeing us in the exciting transition period of rebranding and rebirth. Look for many more exciting things from TATU! If you “like us now” you will be able to check out a pic of Mayor Ballard and our playwright Sharla Steiman.
https://www.facebook.com/
How does fringe theater benefit you as a theater artist/performer?
It provides a safer than normal environment for risk taking which is vital in the discovery of new and emerging talents. (One of TATU’s primary goals.)
What is the funniest line in your show?
How does fringe theater benefit you as a theater artist/performer?
It provides a safer than normal environment for risk taking which is vital in the discovery of new and emerging talents. (One of TATU’s primary goals.)
What is the funniest line in your show?
“Woooo” (in context), and “are you some kind of cult?”
Where do you see yourself in a year’s time?
Back on the boards at iNDYfRINGE!
Why IndyFringe?
The fringe is a jewel in the artistic crown of Indy. Several other cities have Fringe Festivals. But none are run as well and as much of a pleasure to perform in as iNDYfRINGE. Just ask many of the out of town performers and they will tell you the same. I have seen it firsthand. We are extremely lucky to have the Fringe and to have the Fringe we have!
Where do you see yourself in a year’s time?
Back on the boards at iNDYfRINGE!
Why IndyFringe?
The fringe is a jewel in the artistic crown of Indy. Several other cities have Fringe Festivals. But none are run as well and as much of a pleasure to perform in as iNDYfRINGE. Just ask many of the out of town performers and they will tell you the same. I have seen it firsthand. We are extremely lucky to have the Fringe and to have the Fringe we have!
For more information on this show, click here.
Bring on the Pets at Pet Parade this Saturday!
The show is a family friendly hour of fun with FIDO and family furry, flying, fluffy and fishy friends. Prizes for the biggest, smallest, most fringey family pet. Special award for the most artsy pet carriers! To register in advance, emailing at indyfringe@gmail.com. Check in at ClubFringe outdoor stage half an hour before the event.
The show is sponsored by City Dogs Grocery and Precise Pet Products .
Talking with Claire Wilcher - 'School House Wrong'
If you could present your show to just one person, who would it be and why?
Cloris Leachman. She hosted the VHS release of the Schoolhouse Rock videos, yet she's still freakin' hip as hell and is a female comedy icon. Or maybe Batman; he'd like it too.
List 3 words that truly sum up your show.
F*ck your nostalgia.
What is the best way for theater-goers to stay informed about your latest productions? www.threedollarbillcomedy.com, or find us on Facebook (Three Dollar Bill Comedy) and Twitter (ThreeDollarBill)
How does fringe theater benefit you as a theater artist/performer?
Fringe will draw a completely different kind of audience for us. Since Schoolhouse Wrong! is a 100% new endeavor for our group, the first people to see it will be a fresh crowd.
What is the funniest line in your show?
Fruit Roll-ups count as fruit on the Food-allelogram.
Where do you see yourself in a year’s time?
We'd like to say touring nationally. But uh...prolly be here, with more inflated egos.
Why IndyFringe?
We're defending our home turf. We're proud Indy residents who were/are the first group on the local sketch scene. We have the best time together. Why not share it with the artsy-fartsy masses?
For more information on this show, click here.
Talking with Amy Pettinella and Larry Haworth: 'Flowers and Other F-Words', Twilight Productions
If you could present your show to just one person, who would it be and why?
Jamie H: Larry’s childhood friend who was killed in Viet Nam at age 19, and for whom the vignette “The Wall” was based on.
List 3 words that truly sum up your show.
Men Love Largely
What is the best way for theater-goers to stay informed about your latest productions?
Twilight Productions is on Facebook. I think a lot of our fans think we are affiliated with the dumb vampire movies.
https://www.facebook.com/#!/
How does fringe theater benefit you as a theater artist/performer?
It provides a place for original work.
What is the funniest line in your show?
How does fringe theater benefit you as a theater artist/performer?
It provides a place for original work.
What is the funniest line in your show?
“Maybe boys never get close and grow into men who never get close.”
Where do you see yourself in a year’s time?
Performing another original play at IndyFringe and beyond.
Why IndyFringe?
Location, location, location.
Where do you see yourself in a year’s time?
Performing another original play at IndyFringe and beyond.
Why IndyFringe?
Location, location, location.
For more information on this show, click here.
Talking with Rick Cousins - 'The Best Audience Ever'
If you could present your show to just one person, who would it be and why?
My dad, because it would mean he was still alive to see me acting like a silly twit...or any other way, for that matter. That's kind of a sentimental Hallmark Hall of Fame answer, but no less true for all that. I also think that a command performance for the Devil would be a shrewd move. After spending an hour with me, he's not likely to want to take me on for all eternity.
List 3 words that truly sum up your show.
"Quirky yet engaging". Or, if you're looking for three adjectives, 'offbeat', 'quirky', and 'engaging'. (Actually, I cheated--'engaging' is actually a present participle, not an adjective, but you get the general idea.)
What is the best way for theater-goers to stay informed about your latest productions?
The best way to do that is to go to Uncle Fun and Sparky Land, a website (ostensibly) started up on my behalf by a couple of characters who found their way into my work way back when: http://unclefunandsparkyland.blogspot.com/ . It's also a good place to get a sense of where my sense of humor's coming from, and to hear some things I've done over the years in the nearly-obsolescent field of radio comedy.
How does fringe theater benefit you as a theater artist?
It's a great way to work things out 'on their feet'. Fringe bridges the gap between 'legitimate' theater and more free-form types of live performance like stand-up and improv, in a way that allows you to take a text and let it evolve in its own direction.
What is the funniest line in your play?
The one that stands out is "Bear with me for a moment...I’ve just come from a master class I was teaching in Primal Scream Mime, and it ran a little overtime…there were a few more people trapped in invisible boxes for a little longer than I’d anticipated." (I'm embarrassed to say I had to look this up.)
Where do you see yourself in a year’s time?
In a mirror or any other reflective surface, same as now. Unless I've turned into a vampire...
But seriously, folks, by this time next year I'm hoping to have defended my M.A. thesis and may j-u-s-t about have time to tour this show to a few more cities, and maybe even bring a new one to Indy. I'd also like to get back on track with some short bits of cheapo animation I promised some friends of mine ages ago (so many drawings...so little time--or is that the other way around...?).
Why IndyFringe?
I came here last summer as the stage manager with Kurt Fitzpatrick for The Last Straight Man in Theatre, and the whole scene just grabbed me. I like the vibe on Mass Ave., and everybody with IndyFringe is great. They're especially understanding of the eccentricities of Canadians--it may be some sort of Commonwealth thing going on with Pauline and you, and so forth. There's also a lot of stuff for an out-of-towner to do in Indianapolis during 'down time'-- I'll be making another visit to the Indiana State museum, and will catch at least one game at Victory Field, if Indians are in town.
For more information on this show, click here.
Talking with Amy Hayes and Larry Goens - 'The Impressario'
If you could present your show to just one person, who would it be and why?
We would want to perform for one young teen who is enthusiastic and hasn't yet made his/her mind up about opera. He/she would, over the years, bring more people to our show than any advertising campaign and help us change the stereotypical opera crowd forever.
List 3 words that truly sum up your show.
cheeky, impertinent and (of course) intimate!
What is the best way for theater-goers to stay informed about your latest productions?
Check out our website at www.intimateopera.ORG
How does fringe theater benefit you as a theater artist/performer?
Not only is this our debut but it tells audience members everything they need to know about how we produce opera. It's accessible and fun, quirky, irreverent and personal.
What is the funniest line in your show?
"Ladies, ladies, ladies! ... Your hats!"
Where do you see yourself in a year’s time?
Back at the Fringe with a contemporary opera piece and traveling to other venues to bring opera to the people.
Why IndyFringe?
We've seen shows there in the past and the Fringe compliments our mission to provide personal musical experiences to a diverse community. While our company has some traditional operatic qualities, Intimate Opera and IndyFringe working together is the perfect way to say, "This is something new!"
For more information on this show, click here.
Talking with Diane Kondrat - 'Luminary'
If you could present your show to just one person, who would it be and why?
Nell Weatherwax, a marvelous performer who began What If... programs with me in 1992. This show has many similarities to the shows we did for 15 years in schools and detention centers. She would laugh at both appropriate and inappropriate times.
List 3 words that truly sum up your show.
Youth, Danger, Hope
What is the best way for theater-goers to stay informed about your latest productions?
www.diane.kondrat.com, my teensy, low-tech website.
How does fringe theater benefit you as a theater artist/performer?
It's an opportunity to take risks.
What is the funniest line in your show?
I don't know, but I do like, "She is vastly cra-cra."
Where do you see yourself in a year’s time?
Acting in another show in Chicago; that would be fine!
Why IndyFringe?
Because I was asked so nicely by YAT, Pauline Moffat and Start Strong.
For more information on this show, click here.
Free Tickets Available for the Show 'Illusion' at Cook Theatre
In partnership with Peyton Manning Children's Hospital at St Vincent and the IndyFringe Festival Free Fringe tickets and Festival 'Backer Buttons' will be awarded to the first 130 people at three performances at The Cook Theatre, Indiana Landmarks Center, 1201 North Central Avenue, Indianapolis, 46202. The box office opens 30 minutes before the show commences. Public parking and handicap access is available at Indiana Landmarks Centre.
Saturday, August 20, 3:00 p.m.
Wednesday, August 24, 6:00 p.m.
Sunday, August 28, 4:30 p.m.
Sherlock grew up in Carmel, Ind. and began performing magic when he was eight years old. Since his graduation (2011) from Saint John’s University with a major in Entrepreneurship and Theater, Sherlock transitioned from student to full-time performer. He established the Minneapolis-based production company The Magic of Jared Sherlock in 2000 and continues to tour the nation with his illusion-filled act.
Sherlock makes a contribution to the community with the proceeds from each performance and will make a special performance at the Peyton Manning Children's Hospital at St. Vincent on August 22. Sherlock previously established his own charitable foundation, ArtsNow, and is dedicated to the mission of helping people in need overcome obstacles and achieve their magical dreams.
For more information : www.indyfringe.org Tel: 317 869 6611
Talking with A Wing and Prayer Productions - 'Tricks of the Trade'
During the build-up to the 2011 IndyFringe Festival, IndyFringeTalk interviewed some of the key performers to get insight into their stories, their audience and the Fringe itself. Here is what happened when we sat down with members of A Wing and a Prayer Productions' Tricks of the Trade.
If you could present your show to just one person, who would it be and why?
We would choose Bob Berry who wrote “Singles Bar” and has been teacher, mentor and supporter to each one of us in our acting/directing pursuits. We also want the actor Bill Murray to see our show because we have been trying to meet him.
List 3 words that truly sum up your show.
Friends, Ruthless, Devoted
What is the best way for theater-goers to stay informed about your latest productions?
We can be contacted on Facebook under A Wing and A Prayer Productions.
How does the fringe theater benefit you as a theater artist/performer?
Being involved in IndyFringe gives us an excellent opportunity to get our work out and have it seen by a wide variety of people. We are also able to present material that is not always done at the community theatre level. Being able to network with all of the various performers is an amazing opportunity.
What is the funniest line in your show?
“No, no you can’t fuck but, Eddie.”
Where do you see yourself in a year’s time?
We hope to be back at the Fringe and maybe have some original material to present. We are also looking at putting up a play at the Fringe building by local actor/playwright, Bob Berry.
Why IndyFringe?
It is one of the most exciting, unique events of the year here in Indianapolis. IndyFringe allows performers to not only reach a larger audience but to present edgier, more provocative material.
For more information on this show, click here.
Read more ...
If you could present your show to just one person, who would it be and why?
We would choose Bob Berry who wrote “Singles Bar” and has been teacher, mentor and supporter to each one of us in our acting/directing pursuits. We also want the actor Bill Murray to see our show because we have been trying to meet him.
List 3 words that truly sum up your show.
Friends, Ruthless, Devoted
What is the best way for theater-goers to stay informed about your latest productions?
We can be contacted on Facebook under A Wing and A Prayer Productions.
How does the fringe theater benefit you as a theater artist/performer?
Being involved in IndyFringe gives us an excellent opportunity to get our work out and have it seen by a wide variety of people. We are also able to present material that is not always done at the community theatre level. Being able to network with all of the various performers is an amazing opportunity.
What is the funniest line in your show?
“No, no you can’t fuck but, Eddie.”
Where do you see yourself in a year’s time?
We hope to be back at the Fringe and maybe have some original material to present. We are also looking at putting up a play at the Fringe building by local actor/playwright, Bob Berry.
Why IndyFringe?
It is one of the most exciting, unique events of the year here in Indianapolis. IndyFringe allows performers to not only reach a larger audience but to present edgier, more provocative material.
For more information on this show, click here.
Postcards for the shows you want to see!
Talking with Christel Bartelse - 'ONEYmoon (A Honeymoon for One)'
If you could present your show to just one person, who would it be and why?
That's easy -- Chen Wei-yih, a woman in Taiwan who has married herself at age 30 and then went on a solo honeymoon in Australia in October 2010, about 6 months after I had conceived my show on the other side of the world. You can find out more about her here: http://www.huffingtonpost.com/2010/10/22/taiwan-bridetobe-plans-we_n_772431.html#es_share_ended As the bride, I feel like I'm in charge of the guest list, and so I'm also going to invite one of my twitter followers -- a hypnotist from the UK who specializes in quelling pre-wedding jitters.
List 3 words that truly sum up your show.
Hilarious, high-energy and heart-string-pulling. Yes, I know, all those hyphens are cheating -- but when you're married to yourself you can get away with cheating.
What is the best way for theater-goers to stay informed about your latest productions?
Theatre goers can find me on facebook, or check out my website www.christelbartelse.com . In keeping with the wedding theme, I always leave a guestbook out on the table after my show, where guests can leave me their email or write me a note. Sometimes I even get a proposal!
How does fringe theater benefit you as a theater artist/performer?
What is most useful and liberating to me as an artist is the freedom. I get to choose what show i would like to create and write, i choose where i would like to go on tour, and i get to tinker with my show to keep improving it. I've added a tap number, had a song remixed, reordered scenes. If I was performing with someone else I'm sure I would drive them crazy.
Funniest line?
Some of the best lines come from my audience during the short improv parts of my show. I sometimes write these lines in afterward. One of my favorites is during the "bad date scene" in my show where my date said "I heard you tap dance, is that code word for lapdance?"
Where do you see yourself in a year’s time?
I would still love to do the Fringe for the next few years. I am looking forward to creating a new solo show, as well as potentially performing a two hander. I would also like to take my two shows CHAOTICA and ONEYmoon (A Honeymoon for One) to some larger festivals. I also teach physical theatre at a professional acting program at Humber College and sometime guest teach at Second City in Toronto, so its a challenge to manage all those projects at once.
Why IndyFringe?
I was invited to do DivaFest in Indianopolis in April 2011 with my show ONEYmoon. I had a great time, but only 3 shows. When a spot came open for an International Artist at the Fringe and I was asked if I wanted to return, without a second's hesitation I said "I do". The audiences here are so wonderful, the hospitality of the theatre community so warm. Plus, ONEymoon had just been nominated for a 2010 Canadian Comedy Award, so I felt confident that the show could continue to attract an audience. It wasn't just my mom who liked it.
For more information on this show, click here.
Talking with Jared Sherlock - Illusion
During the build-up to the 2011 IndyFringe Festival, IndyFringeTalk interviewed some of the key performers to get insight into their stories, their audience and the Fringe itself. Here is what happened when we sat down with Illusion's Jared Sherlock.
1. If you could present your show to just one person, who would it be and why?
Steve Martin. He is a world class performer and a hilarious magician.
2. List 3 words that truly sum up your show.
VEGAS meets INDY.
3. What is the best way for theater-goers to stay informed about your latest productions?
www.JaredSherlock.com or follow me on Twitter and Facebook.
www.JaredSherlock.com or follow me on Twitter and Facebook.
4. How does fringe theater benefit you as a theater artist/performer?
It's my hometown, and I think it is the best Fringe Festival in the nation!
It's my hometown, and I think it is the best Fringe Festival in the nation!
5. What is the funniest line in your show?
You are my favorite audience, and I truly mean it this time.
You are my favorite audience, and I truly mean it this time.
6. Where do you see yourself in a year’s time?
On Tour.
On Tour.
7. Why IndyFringe?
I was born and raised in Indianapolis, and my first professional debut was in the first annual IndyFringe.
For more details of this show click here.
Last Chance to Book Tickets for 'The Longest Dinner'
2011 Fringe Button included.
This is an exclusive event - early reservations are essential! A portion of the proceeds shared with Slow Food Indy. Funds go to the IndyFringe Theatre upkeep.
Phone the box office now to reserve tickets: 317-721-9458.
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