Showing posts with label Around The World With Cinderella. Show all posts
Showing posts with label Around The World With Cinderella. Show all posts

When I was in High School... - Mary Hamilton, Around The World with Cinderella



1.  How did you become involved in the performing arts?
In high school I was not involved in the performing arts. The small public school I attended for eleven years had no performing arts programs of any kind.  Sports? yes, but no visual or performing arts.  My senior year, my school closed, so I began attending a larger school. It did not offer a drama class (band, visual arts, and chorus - yes, but not other performing arts), but did produce a junior and senior play. I had never ever imagined myself performing in any capacity, so I volunteered to help out with make-up for both productions.

Many years later, I was a children's librarian, and storytelling was an expected part of my job. It soon became the part of my job I loved best, so back in 1983 when budget cuts in the city where I worked resulted in my being laid off from the job, I decided to use my savings to work toward supporting myself through storytelling. Storytelling and teaching others about the art of storytelling (and the very different art of reading aloud -- I emphasize the difference because sometimes people assume the two arts are the same -- they are not!) has been the source of my livelihood ever since.

By the way, if your opportunities for seeing performing arts are limited, don't despair. By the time I graduated high school, I had seen exactly five live theatre productions. 1) a play I faintly remember going to see in grade school, put on by high school students. I recall a boy wearing a dress pretending to be a girl, and that's all I remember, 2) a traveling troupe of actors presenting Romeo and Juliet, 3) my aunt who went to a boarding school her freshman year of high school in a production at her boarding school, 4) the junior class play when I was a senior, and 5) the senior class play when I was a senior.  That's it -- my experiences were very, very limited.  So, don't let limitations stop or lack of opportunities become a permanent stopping place. 

2. What is the most interesting part you've ever played?  Why?

Hmm, well, I don't play parts, since I'm a storyteller. So, I've only been in one play in my whole life.  If I remember correctly, the title was "Loose Ends" and I played the conservative friend of the main female character (and I can't recall their names?).  Instead of playing parts, I tell stories. So, that means that most of the time on stage, I am myself, telling my audience stories (not a character who tells stories).

The only exception is a one-woman show, "Children of Richard, Rhoda, and God" in which  three characters tell the story -- myself at age 17, my boyfriend Bill at age 17, and myself now. All three of those characters tell stories, which mean all three of them sometimes quickly show the audience glimpses of the other characters they talk about (whenever those other characters speak, for example, they briefly become them when they are talking).

3. What advice would you give to young people who are interested in getting involved in the performing arts?

Go for it -- look for opportunities to become involved. If you have no money, watch for free opportunities to see someone perform. Make your own decisions about what you like and don't like, and yet, when someone likes a performance you did not care for, ask them what they liked about it -- not in a challenging their opinion way, but in a satisfying your curiosity way.   Finding out how and why others have opinions that differ from yours will prove a helpful performance skill as well as a useful life skill.

4. How can teens become ambassadors for the performing arts during the school year?

Show up!  Go watch performers of all kinds.  Thank people for their performances, and if you are performing, please remember to thank your audience for their support.  When you've enjoyed a production, be sure to tell others about it so more people can have the opportunity to see it.

If you are low on funds, find out if there is any volunteer job you could do to earn a ticket to a performance you'd like to see. It never hurts to ask; you may hear "no" but you'll never hear "yes" if you don't ask.  And if you do volunteer, take that volunteer job as seriously as any job you would be paid to do (because you really are being paid by the performance).

Write reviews of performances for your school newspaper, and /or write letters to the editor of your local newspaper about performance opportunities you know of that you believe others would be interested in. There's no need to be snarky; just describe the performance and tell what you liked about it, or if it was lacking what you wish had happened to improve it.

Also, if you are not finding like-minded teens at your school, check with you local public library. Many public libraries have teen programs, and this may help you locate others teens who share your interests.   They are out there,  but if you attend a school where sports is truly the only game going, it may take more time to find those like-minded souls. Do not give up.

5. Where can teens find a community of other performing artists around the city?

I am guessing this questions refers to Indianapolis. I live in Frankfort, KY so I would have ideas about this for teens in my town, but I don't know what to suggest here, except inquiring at public library Young Adult Departments, which I've already mentioned above.


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A Cinderella Celebration: Mary Hamilton Brings you Around the World with Cinderella

You’ve heard of Cinderella’s fairy godmother, but what about the magic fish, the magic doll, or the grandfather frog that help the Cinderellas in other cultures? You’ll hear about all these, plus a Cinderella who needs no assistance from anyone in Around the World with Cinderella at the Indy Fringe Festival.

Yes, a Cinderella celebration is part of this year’s Indy Fringe, featuring a multicultural mashup of eleven traditional Cinderella tales from Chile, Russia, France, China, Republic of Georgia, Germany, Nigeria, Ireland, and three North American cultures – New World Spanish, Native American MicMac, and Appalachian, presented by award-winning storyteller Mary Hamilton.

The idea for the multicultural Cinderella mashup portion of the Around the World with Cinderella show - a story titled “Eleven Cinderellas” - developed when Hamilton answered a storytelling colleague’s listserve inquiry asking for suggestions for a story she could tell at her church’s mingling of the waters ceremony. In the ceremony members of the storyteller’s church mixed vials of water collected during  their travels apart to celebrate their coming together again to begin a new church year. Hamilton suggested the storyteller might want to retell one common fairy tale using variants from several different cultures.  Hamilton says, “I have no idea what the teller did for her church ceremony, but as I sat at my keyboard typing my reply to her, I talked myself into trying it with Cinderella.”

Months and months of research, reading and studying many versions of hundreds of traditional Cinderella tales followed. “Like most people I was familiar with the French version because that’s the source both Walt Disney and Rodgers & Hammerstein most relied on for their animated film and Broadway musical versions of the tale,” Hamilton said, “It would have been easy to create an all-European version of the story, but I wanted more variety, so I searched out versions from lots of different cultures.”

Hamilton also studied multiple versions from the same culture to better ascertain the details that really were traditional. Hamilton explained, “Each reteller of a folktale – whether in an anthology or a single story edition or on a website – often incorporates his or her own unique rewording of the tale in the retelling. That wording belongs to that reteller. By looking at multiple retellings of the same story, I could determine what they have in common. For example, the Chinese Cinderella wears a cloak of feathers – different retellers have specified different types of feathers, but all agree the cloak is made of feathers.” Why does this matter? “I don’t even want to guess the additional time, energy and possible dollars I would have spent securing publisher permissions if I had relied on single editions of any cultural versions.  As a result of her extensive research, only one segment, from “Ashpet” the Appalachian Cinderella required permission – kindly granted by Houghton Mifflin, publisher of Grandfather Tales, a collection by Richard Chase.

The result? “‘Eleven Cinderellas’ is a storytelling tour de force,” said Ted Parkhurst, President of Parkhurst Brothers Publishing, Inc. who heard Mary’s “Eleven Cinderellas” debut at the Azalea Storytelling Festival in LaGrange, Georgia.   “Eleven Cinderellas” is also one of three stories Hamilton recorded on her CD Sisters All . . . and One Troll featuring stories of active heroines. Yes, Active heroines! Cinderella is not passively dressed by birds and mice in traditional versions! The CD received both a Storytelling World Winner Award in the Storytelling Recordings category and a Parents’ Choice Gold Award.  About “Eleven Cinderellas” Parents’ Choice reviewer Flora Joy wrote: “Brilliantly crafted, the segments work like blocks of a quilt: individual works of art that make up a whole. Here, Hamilton chooses to place her stories emphasis not on the stereotypical 'wicked stepmother' but rather on the inner character of the struggling stepdaughter as she encountered difficulties during her journey."

But the multicultural Cinderella mashup is only one part of Around the World with Cinderella. Hamilton also relies on memories of “Cinderella, dressed in yella” a jump rope rhyme from her childhood with both school yard sanctioned and school yard banned versions. Yes, she includes both.
Guys won’t feel left out of in this show either because a Cinderlad – Boots, the put-down youngest brother hero from Norwegian folklore -- also receives star status in a tale that includes a rather determined and lusty princess.

Wordplay takes the stage too when Hamilton spoonerizes Cinderella into “Rindercella”. Hamilton readily admits “Rindercella” is not her unique creation, “I’ve heard lots of versions – all including Rindercella, the Pransome Hince, and a slopped dripper.”  That’s Cinderella, the Handsome Prince and a dropped slipper, for those unfamiliar with spoonerisms -- wordplay based on swapping initial sounds named after Reverend William Spooner who is said to have created them unintentionally.  Hamilton reports, “I had fun creating my own spoonerisms and deciding which ones to use. “

So, will the Gairy Fodmother turn a cat into a roach driver? Or, will the Pransome Hince vow to find his true love or trie dying?  Find out when you and Cinderella go on the road together at Around the World with Cinderella at the Frank and Katrina Basile Theatre in The Phoenix, 749 N Park Avenue, Indianapolis, 46202 at the Indy Fringe Festival.

Who Is Mary Hamilton?
A professional storyteller since 1983, Mary’s childhood storytelling adventures led to a note on her report card and frequent trips to her church confessional. After growing up on a Kentucky farm where storytelling was considered more of a moral failing than a career choice, Mary now has multiple awards for her storytelling recordings to her credit and has been honored by the National Storytelling Network with  a Circle of Excellence Oracle Award “presented to artists who are recognized by their peers to be master storytellers who set the standards for excellence and have demonstrated, over a significant period of time, a commitment and dedication to the art of storytelling."

She has told stories to listeners from Florida to Alaska, including performances for Storytelling Arts of Indiana.  This is her first ever Fringe Festival adventure.

For years Mary confessed her storytelling sins and struggled to overcome her talent. Fortunately, she failed.  Find out more at her website www.maryhamilton.info from  http://www.storynet.org/oracle/index.html  website of the National Storytelling Network.

Performance Details for this show: 
Phoenix Theatre 
Saturday, August 20, 1:30; 
Sunday, August 21, 10:30
; Monday, August 22, 7:30; 
Thursday, August 26, 6:00
; Sunday, August 28, 7:30 
Box office: 317-721-9458 
Tickets also available at www.indyfringe.org
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Talking With Mary Hamilton - Around the World with Cinderella

During the build-up to the 2011 IndyFringe Festival, FringeTalk interviewed some of the key performers to get some insight into their stories, their audience and the Fringe itself. Here is what happened when we sat down with Around the World with Cinderella's Mary Hamilton. 

1. If you could present your show to just one person, who would it be and why?
Dolly Parton because if anyone understands the rags to riches aspect of the Cinderella story, it's Dolly Parton! I also admire the fact that with her wealth, she could spend all her money indulging herself, but instead she uses it to help children grow into literate adults.  How? Visit www.imaginationlibrary.com

2. List 3 words that truly sum up your show.
Cinderella. Gets. Around.

3. What is the best way for theater-goers to stay informed about your latest
productions?

Visit my website www.maryhamilton.info where you can learn about all the different sorts of stories I tell. Or, Facebook.com/MaryHamiltonStoryteller.

4. How does fringe theater benefit you as a theater artist/performer?
I honestly don't know yet, because this if my first ever fringe festival.

5. What is the funniest line in your show?
"Darling, when you are queen, you'll have no need to walk -- cut off your toes."

6. Where do you see yourself in a year's time?
Hmm, is this a trick question?  Wouldn't the appropriate answer be "Back at the Indy Fringe! Where else?!?"

7. Why IndyFringe?
Why not IndyFringe? Reason number 4 -- Indy is not far from where I live in Frankfort, Kentucky; reason number 3 -- Indy is a fabulous city -- I'll have fun being there; reason number 2 -- my brother lives in Indy, so I have a place to stay; reason number 1 -- adults in Indy know a storytelling performance will be entertainment -- a solo performer talking, creating every character in the show, while keeping the narrative thread moving forward, and paying attention to the audience (not acting as if talking to the audience, but really talking to them).  Adults in Indy know that storytellers will not
read aloud to them (an unfortunate common misconception in some places). And how do Indy folks know this?  Storytelling Arts of Indiana has been building storytelling audiences in Indy for years.  If you've never been part of a storytelling audience, now's the time to try it out!

Performance Details for this show: 
Phoenix Theatre 
Saturday, August 20, 1:30; 
Sunday, August 21, 10:30
; Monday, August 22, 7:30; 
Thursday, August 26, 6:00
; Sunday, August 28, 7:30 
Box office: 317-721-9458 
Tickets also available at www.indyfringe.org
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